Even more black ink!
And those a whispy whisps of cold whispyness. Not – something else.
Lurrve the atmosphere and lighting definition in the main panel!
Joel, don’t run away like you’re guilty! Saunter.
Second the praise for the main panel. Actually a bit surprising to see a detailed close-up, given how cartoony things generally are.
Thanks! I wasn’t sure how well it would come out, but I think it worked out.
I know you realistically only have so much time and space on the Bristol board, but I certainly wouldn’t complain if the whole comic evolved in that direction. I wonder if it could retain it’s light-hearted tone in spite of the heavier art.
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